We can also arrange a crew to rent the equipment

Equipment + Crew = Certainty on Set

You can’t shoot without people. Alongside professional gear, we offer trusted film crew roles to help you handle production without stress or last-minute improvisation. We know these people personally from set experience – we know what they can do and how they work. And since we know our gear better than anyone, we’re able to minimize technical hiccups and uncertainties on set. Whether it’s a commercial, music video, documentary, or student project, we’ll recommend reliable crew for key positions.


Available Positions

Camera Department

  • Camera Operator / DoP
    Experienced operator familiar with professional film equipment from our rental. Suitable for commercials, music videos, or documentaries.
  • 1st AC – Focus Puller
    Responsible for precise focusing, lens changes, and camera setup. A key role for a smooth shoot.
  • 2nd AC – Camera Assistant
    Handles slating, prepping gear, accessories, and media management. Supports the camera department’s workflow.
  • Autocue / Teleprompter Technician
    Handles setup, operation and technical support for the teleprompter on set. Helps actors or presenters deliver their lines smoothly without memorization. Essential for commercials, interviews, and content with direct-to-camera delivery.
  • Ronin 4D Technician
    Specialist for setting up, balancing and operating the DJI Ronin 4D camera system. Supports the DP or camera operator with focus, stabilization, wireless transmission, and full system functionality.
  • Ronin 2 Technician
    Responsible for balancing and configuring the Ronin 2 gimbal. Assists in transitions between different rig setups (e.g. crane, car rig, handheld) and ensures smooth operation throughout the shoot.
  • Ronin 2 / Motion Rig Operator
    Experienced operator for dynamic camera moves using Ronin 2 and various grip rigs (e.g. dolly, rickshaw, cablecam).
  • Steadicam Operator
    Professional steadicam operator delivering smooth, dynamic handheld shots. Works closely with the DoP and director to choreograph movement.
  • DIT – Digital Imaging Technician
    Handles data management, backups, LUTs, and base grading. Essential for image security and post workflow.
  • Video Operator (QTAKE, Shogun, Koko)
    Manages live preview, playback, and recording. Crucial for multicam setups and commercial shoots.
  • All-in-One Camera Assistant
    Versatile helper for small tasks – from carrying tripods to basic camera operation support.

Lighting & Electric (G&E)

  • Gaffer – Chief Lighting Technician
    Designs and builds the lighting setup according to DoP’s vision. Skilled with modern lighting and grip tools.
  • Best Boy – Gaffer’s Assistant
    Provides technical support, distributes cables and lights, and manages lighting accessories.
  • Lighting Assistant
    Supports with handling lights, stands, and modifiers. Ideal for smaller shoots or student productions.
  • Dimmer Operator
    Controls lighting remotely using apps (Aputure Sidus Link, Gaffers Control, CRMX / DMX tools like Astera, grandMA). Responsible for dimming, triggering, and scene syncing.
  • All-in-One Lighting Assistant
    General support for the lighting team without deep specialization. Great for compact sets and lean crews.

Directing & Production

  • 1st AD – First Assistant Director
    Coordinates the daily shoot schedule and ensures everything runs on time. Key point of communication between departments and the director.
  • 2nd AD – Second Assistant Director
    Handles logistics, talent communication, daily call sheets, and coordinates set movements.
  • Unit Publicist
    Handles press communications and set visits, and gathers promotional material for media distribution.
  • EPK Coordinator
    Creates and compiles Electronic Press Kit materials – behind-the-scenes footage, interviews, production photos, and editorial content.

Sound Department

  • Sound Recordist
    Professional location sound technician with experience using mixers, wireless lavs, booms, and recorders.

Photography & BTS

  • Photographer
    On-set or standalone photographer for campaigns, behind-the-scenes, portraits, or product shots.
  • BTS Photographer
    Captures candid and key behind-the-scenes moments. Ideal for social content, PR, and archive purposes.
  • BTS Cameraman
    Records on-set documentary footage for internal, social, or promo use. Experienced in discreet and agile shooting.
  • BTS Technical Producer
    Manages technical workflows for BTS footage – media management, backups, exports, and gear logistics.
  • BTS Creative Producer
    Curates the storytelling and creative concept for BTS content. Guides photographers and camera crew to ensure cohesive output.

Photography Support

  • Photographer’s Assistant
    Helps with lighting setups, modifiers, flash equipment, and shoot logistics.

All positions are covered by experienced professionals we regularly work with and who are familiar with our gear.

Indicative Pricing Information

Basic technical crew positions start at 6,000 CZK / day (approx. 240 EUR / 260 USD) and most commonly fall within the 6,000–8,000 CZK range (approx. 240–320 EUR / 260–350 USD). More specialized roles start at 8,000 CZK (approx. 320 EUR / 350 USD) and typically range between 8,000–10,000 CZK / day (approx. 320–400 EUR / 350–430 USD). Senior or lead positions usually start from 10,000 CZK / day (approx. 400 EUR / 430 USD). Final rates always depend on project duration, scope of work, and involvement – we’re happy to discuss everything individually.


How to Request a Crew Member

  1. Create your gear order via our website or send it via email.
  2. Note the crew roles you need in the order comment and follow up with a quick phone call.
  3. We’ll check availability and suggest the most suitable person along with a pricing estimate.
  4. If everything clicks, we’ll connect you directly – no admin hassle.

Film Crew & Equipment Hire Across the Czech Republic

Biofilms Rental is more than just a gear rental – we’re your one-stop shop for both equipment and reliable crew. Whether you’re shooting a commercial, music video, documentary, EPK content or student project, we provide experienced professionals for every technical department. Our crew includes camera operators, ACs, gaffers, sound recordists, lighting assistants, steadicam and Ronin operators, DITs, teleprompter techs, and full BTS and EPK teams. Everyone we recommend has hands-on experience with our gear and can work independently or as part of a larger crew. We operate not only in Prague, but throughout the entire Czech Republic – including Brno, Ostrava, Olomouc, Plzeň, and smaller regional locations. We can also provide English-speaking crew with international production experience for foreign clients. Whether you need a single crew member for a day or a full team for a multi-day production, let us know – we’ll tailor the crew and pricing to your project’s size and scope. We’re open 7 days a week and always happy to discuss the details.

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Frequently Asked Questions (FAQ)

Can I book crew without renting gear?
Yes – although we prefer pairing them with our gear they already know well.

How does billing work?
Freelancers typically invoice you directly. If needed, we can handle this as a subcontracted service through Biofilms with unified billing.

What if I need someone last minute?
Call us – we’re open 7 days a week and last-minute miracles do happen.

Do you also supply directors, producers, or make-up artists?
We specialize strictly in technical crew. That said, we can usually recommend someone for creative roles thanks to our network.